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Le pianiste MAKOTO UENO from KYOTO

avec nos vifs remerciements à Pierre MALBOS,pour la mise à disposition de son piano de concert Yamaha et son soutien généreux à cet événement 

www16.ocn.ne.jp/~m_ueno  official web site

from KYOTO

フランス･パリ
スタジオ・ルガール・デュ・
スィーニュ
Le Regard du Cygne
Paris, France

________________________________________________

ソロ･リサイタル
ベートーヴェン：幻想曲　Op. 77、シューベルト：ソナタ　ニ長調　DV 850
休憩
ドビュッシー：ベルガマスク組曲　全曲、武満　雨の樹　素描 I　(1982)
リスト：ペトラルカのソネット　第123番、ダンテを読んで
Solo Recital
Beethoven Fantasie Op. 77(1809) , Schubert Sonata D-Dur D.850(1825)
PAUSE
Debussy Suite Bergamasque(Complete)(1890) , Takemitsu Rain Tree Sketch I (1982)
Liszt Sonetto 123 del Petrarca(1846/58) , Apres d'une lecture de Dante "Fantasia quasi Sonata"(1839/58)

(program subject to change)

Makoto Ueno

Pianist

Makoto Ueno is one of Japan’s most versatile upcoming pianists. Known for profound interpretations and thrilling technique, he is hailed by critics as a master musician capable of being “poetic and brilliant, sensitive and bold, spontaneous and well-planned”. The late Jorge Bolet considered him “one of the most gifted pianists of his generation” and “a pianist of highest calibre”.

In June 2005 he won Second Prize at the First Sviatoslav Richter International Piano Competition in Moscow. Though considered as a ‘marvellous discovery’ by the jury members, he had previously won prizes at various other international competitions such as Maryland (1985); Brussels (Prix Alex de Vries, Prix. E.M.S., 1986); Geneva (1988); Orléans (Prix Maurice Ohana, Prix Ricardo Vines, Prix Nadia et Lili Boulanger, 2002); In Japan, he was a recipient of Kyoto City Prize for New Artists, and of the Aoyama Barocksaal Prize, in 2005. 

A graduate of the prestigious Curtis Institute of Music, he studied with Jorge Bolet, Gary Graffman, Mieczyslaw Horszowski and Leon Fleisher, then continued in the Mozarteum Salzburg with Hans Leygraf, Andrzej Jasinski and Jacob Lateiner. He began his earliest musical training at the age of four in Muroran, followed by studies with Meiko Miyazawa in Tokyo. 

An active soloist with orchestras, Makoto Ueno appeared with the Shinsei-Japan Orchestra (Grieg), Japan Philharmonic (Schumann), Orchestra Ensemble Kanazawa (Mozart No. 25), Sapporo Symphony Orchestra (Brahms No. 2), Osaka Symphoniker (Tchaikovsky), Kyoto Symphony Orchestra (Bartok No.2), Tokyo Kosei Wind Orchestra (Messiaen Oiseaux exotiques), and Zürcher Kammerorchester (Mozart No. 27).

Makoto Ueno has given recitals throughout Japan, Thailand, U.S.A.,　Russia, Germany, Austria, the Czech Republic, Belgium, and Holland with many kinds of programmes including Beethoven Hammerklaviersonate, Liszt Transcendental Etudes, Debussy 12 Etudes, and various 20th-century piano music. 

Although he usually plays modern grand pianos, Ueno is equally at home with historical instruments, performing Beethoven sonatas on a Stein fortepiano from 1820, Chopin 24 etudes on a Pleyel of 1846 (in 2004 and 2005), Viennese Classical Works on a 1780’s Stein replica model and historical 1846 Streicher instruments, and works by Liszt, Balakirew and Debussy on Erard instruments from 1852 and 1920 (in 2005 and 2006). 

Recent recording activities include a concert at the NHK Osaka Hall, televised live in Spring 2006 with future broadcasts in the next three years; a CD of the Liszt Transcendental Etudes appeared in 2004, and a CD with flutist Emily Beynon was released in 2005. A new solo CD with the complete etudes by Debussy, Bartók, and the Three Movements from Pétrouchka by Stravinsky, was released in October 2006. 

Activities in recent years included concerts with the Kyoto Philharmonic (Shostakovitch No. 1, Gershwin Rhapsody in Blue, using a New York Steinway made in 1925), Sapporo Symphony and Samara Philharmonic(Rachmaninoff No. 3), Stavanger Symphony Orchestra in Norway(Beethoven No.5)and recitals in Tokyo, Kobe and in many other cities in Japan, including recitals using historical instruments, and appearances in Russia, and Latvia. He has been active in playing with foremost Japanese musicians in playing duo recitals and chamber music, and accompanying in Liederabend as well.　

In 2009, recitals and concerto performances(Saint=Saens No.4) in Mexico, France and Austria are being planned. 


Since 1996, he has been teaching as a piano faculty member at Kyoto University of Arts; in addition to his teaching and performing activities, he has written articles and essays for various Japanese music magazines. An avid photographer of numerous genres, who is
especially interested in medium-format photography, he has future plans to make his non-digital photographs of historic Japanese temples and monuments around Kyoto and Nara accessible to public.

Homepage: Homepage: http://www16.ocn.ne.jp/~m_ueno/index.html

avec nos vifs remerciements à Pierre MALBOS,pour la mise à disposition de son piano de concert  et son soutien généreux à cet événement 

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